The Empire Strikes Back (1980)

Directed by Irvin Kerishner

Starring Mark Hamill, Carrie Fisher, Harrison Ford, Frank Oz, Anthony Daniels, Kenneth Baker

A long time ago, in a galaxy far, far away...

Situations for heroes got pretty bleak.

We return to George Lucas's fantasy fairy tale. Only George Lucas isn't involved as much. And the result is actually better. Where the first film plays it safe, this installment is much more interesting.

Luke Skywalker is training to be a Jedi. And the old enemy Darth Vader is searching for him. Obviously the Force has a part to play in this. Luke is ordered by the ghost of Obi-Wan to look for a Jedi Master named Yoda.

Darth Vader has the idea of kidnapping Han Solo and Leia in order to lure Skywalker. And thus begins philosophical training in a swamp and chases of ships through space.

Star Wars now has taken a new mature turn. There are dazzling new sights to behold. Action scenes are much more well structured. And cheesy lines are kept at bay.

Is this the welcome to the 1980's of fantasy? If so, the decade has a lot to live up to.

This Empire will hopefully not strike for the last time.

5/5

Weekend (2011)

Directed by Andrew Haigh

Starring Tom Cullen, Chris New, Laura Freeman

Queer cinema still hasn't taken off one thinks. Maybe it doesn't want to. Maybe it wants to be segregated and have its niche market. Maybe Brokeback Mountain did bad things for gay film.

Weekend is director Andrew Haigh's first fictional film. Set in Nottingham, Russell heads out one Friday night and manages to pull. His new friend Glen becomes interested in what gay life still looks like to a gay man himself. So through the weekend they experience drugs, sex and general talk of how the world is wrong for a gay man.

The film is beautiful. Where real love only lasts a weekend and homophobia isn't the issue. There are funny moments but I felt only because the audience still aren't sure how to react. Even a gay one.

But it's a step in the right direction for gay cinema.

4/5

Breaking Dawn - Part 1 (2011)

Directed by Bill Condon

Starring Kristen Stewart, Robert Pattinson, Billy Burke, Taylor Lautner

Do we start shedding a tear for the beginning of Bella's departure?

Summit have done a Warner Bros. and have decided to split Stephanie Meyer's final Twilight novel into two films. So far the films have given a nice reinvention. Some of the different takes I welcome. And as teenage films I've found them pretty strong.

Now Bella and her blood sucking love Edward take themselves up the isle to be wedded in bliss.

For a few days on their honeymoon at least. All of a sudden the cynics out there find Twilight more realistic.

Unfortunately it feels as if the end has already occurred. Here there's not much else to go on about. No teenage agnst, no showdowns between love rivals. Taylor Lautner's Jacob is still upset about the couple's union, but even I felt he'll be getting over it soon. Action scenes aren't interesting. Michael Sheen's one second appearance is a tease that's not satisfied.

Towards the end one feels that director Condon was trying to make his own Bride of Frankenstein. But his attempts are only put into place when it's getting late.

One doesn't have much faith for the next installment.

2/5

If you like this you should try

Bride of Frankenstein (1935) 5/5

The Adventures of Tintin : The Secret of the Unicorn (2011)

Directed by Steven Speilberg

Starring Jamie Bell, Andy Serkis, Daniel Craig, Simon Pegg, Nick Frost

It's a man's world. Or at least a boy's. There's not any influence of female characters here at all.

Speilberg finally brings Hérge's Tintin to the big screen. With some animation I don't think I'm bothered by.

For a children's film who needs characterisation? They want fun action.

They should look elsewhere. Or at least wait until Serkis' Captain Haddock appears.

Tintin is kidnapped after refusing to give up a model ship with a secret that could lead to victory for the villain. Whilst attempting to escape he meets Captain Haddock, a drunkard sailor who is brought along for the ride.

The problem with this is that Tintin doesn't seem to be in any real danger. Too much happens for his benefit by accident. It's possible Speilberg will use the complexities of the animation to excuse the lack of real adventure. There is a tremendous chase scene involving spilling water from a damn and a continuous shot. But aside from this the film isn't dark enough to stir atmosphere, or dangerous enough to be thrilling.

Next time Speilberg, keep it real.

2/5

If you like this you should try

Raiders of the Lost Ark (1981) 3/5

Eclipse (2010)

Directed by David Slade

Starring Kristen Stewart, Robert Pattinson, Taylor Lautner, Billy Burke, Dakota Fanning, Kellan Lutz

So love is to blossom. Edward and Bella are lying about flowery fields where no one can bother them. Discussing marriage at this rate, one wonders if they're rushing it. But then true love doesn't know time. Or logic.

So The Twilight Saga goes down a darker route. A group of 'new-borns' are travelling across Seattle making killings left, right and centre. So an unlikely union must occur between the Cullens and the were wolfs. Bella must be one special girl.

There's a lot more interesting items in this installment - the type I was looking forward to in the previous. However the love story isn't portioned well. There are moments where I was left screaming inside to hurry it up. Maybe that's the cynic in me. Or that these scenes are longly drawn out and only fangirls can stick them. I know I couldn't.

This is decent installment, but it's let down by disjointed plotlines and, at the risk of being mauled, continuing poor lines from Edward Cullen. Poor Pattinson.

3/5

If you like this you should try

Underworld (2003) 3/5

Twilight (2008) 3.5/5

Alamar (2009)

Directed by Pedro González-Rubio

Starring Jorge Machado

Nice good natured documentary style childhood story. Where after the breakup of his parent's marriage, a young boy is taken by his father to an island within the Mexican region to show him about nature.

It's not always an excuse for showing picturesque scenery. Just because there isn't much said doesn't mean it's dull. As I've learnt in life it's what's not said that can have more impact. And this film proves it.

3/5

If you like this you should try

The Way Home (2002) 4/5

Julia (2008)

Directed by Erick Zonca

Starring Tilda Swinton

Tilda Swinton can do anything. I'm almost sure of it. She can be the British actor playing the villain for blockbusters (The Lion, The Witch and The Wardrobe) or she can win an Oscar for crying with evil shock (Michael Clayton).

Pretty much a bad guy again. Or is she?

An alcoholic, Julia is quickly befriended by a neighbour who wants to get her son back. So on a whim Julia is asked to kidnap the son and be paid for it. After consultation with other seedy friends, Julia tracks down the child and nabs him for what is to be a road trip movie.

Long it is, but every second is a joy. Tilda Swinton is capable of being what she needs to be. All along I could tell nothing much would happen, yet I was happy with being in her presence and her own 'sanity'.

5/5

If you like this you should try

Thelma & Louise (1991) 5/5

Fargo (1996) 5/5

Central Station (1998) 5/5

Babel (2006) 4/5

New Moon (2009)

Directed by Chris Weitz

Starring Kirsten Stweart, Robert Pattinson, Billy Burke, Taylor Lautner, Kellan Lutz, Michael Sheen, Dakota Fanning

There was almost a sly smirk from His Dark Materials fans saw Chris Weitz would be directing the second Twilight film. Almost as if they wanted it to fail.

Granted Weitz's adaptation of Northern Lights was a disaster. He claims it wasn't his but the studios involvement that got the final say. So here he gets more license.

And it shows.

Bella and Edward are now a couple. But not for long as Edward realises his vampire family and he pose too much of threat to Bella. So he leaves her. And thus the months of despair begin for poor Ms Swan. Once again I have to remind myself that this is a fantasy. Or am I too skeptical for true love to occur in one so young? The first film was a love story in a semi Gothic setting. That I could buy. The continuation of how love is tested all feels too silly.

And that's where a new plot should be set up.

Where the first Twilight film went wrong, this one manages to heal the neck bite wound. Bella finds comfort in the new heart throb Jacob, a pleasantly enjoyable Taylor Launter. And not just for the abs. But of course Bella still yearns for Edward. And why shouldn't she? Despite the fact that Jacob seems nicer, not as cheesy, much better looking, much more out going and generally better in every way than...who was the other guy again?

Oh, but turns out Jacob's a werewolf. I suppose human boys are just all too...human?

Chris Weitz's take isn't to be dismissed. In fact it's an improvement on the last film. The last film was stylish, but ultimately cheap looking. Weitz has made a more wholesome film with something in it for everyone. A few action scenes, handsome guys with shirts off, Michael Sheen playing a camp villain, handsome guys with shirts off, picturesque US scenery, handsome guys with...

The Twilight saga now has a strong entry. Reinvention may actually be the major key to this series. Considering that each story is pretty much the same.

If you like this you should try

Underworld (2003) 3/5

Max Payne (2008)

Directed by John Moore

Starring Mark Wahlberg, Mila Kunis, Beau Bridges, Chris O' Donnell

It amazes me that Hollywood still think there's sense in making a movie based on a video game. It was bad from the start with Super Mario Bros (financially, however I quite enjoy it). So once again it must be called upon to fill at least one cinema screen.

A moody detective named Max Payne (his parents only realised the pun after naming him) is on the trail of...to be honest I don't know. I had forgotten the moment the first gun shot had been let off.

Something to do with demonic angels, action with lots of misfired bullets and not one smile from Wahlberg until the very very end. Somewhere there could be a message of an evil corporation, but one felt that even that could bore me.

So with snow passing through the city to give an extra chill, it is possible that the video game adaptation gig should be given up altogether. This gives no hope to any future efforts. And it's almost as if because everyone is acting badly in this, Wahlberg decides to do the same.

1.5/5

If you like this you should try

Resident Evil : Apoloypse (2004) 3/5

Sin City (2005) 4/5

Silent Hill (2006) 4/5

Twilight (2008)

Directed by Catherine Hardwicke

Starring Kirsten Stewart, Robert Pattinson, Billy Burke, Taylor Lautner, Cam Gigandet, Kellan Lutz

Successful chick-lit for teenage girls come to film in something surprisingly enjoyable.

From the off there's so many questions raised about this. And what one has to realise is that the word 'fantasy' is so rampant in this. Where an oddball girl, Bella Swan (who's already beautiful and getting boy's attention) finds herself drawn to the mysterious Edward Cullen.

After some research and questioning, Bella discovers that Edward is a vampire. But not of the wither-in-the-sun-and-die type. He has a thirst for blood which is controlled by other means. However, will the attraction between the two become too much for him to bear?

It's clear that the major fans of the books will relish in the overdrawn language and moments of 'excitement'. For the rest of us, we can enjoy a stylish teenage film. The teenage years supposedly contain a degree of pain. And here director Hardwicke has managed to sprinkle it about. At times the feature does run like a teenage television series. The use of cinema has been sidelined.

But if you don't mind some cringe worthy lines, go for everything else about it. Go for the soundtrack, go for the pretty people, go for the explicit references to what will come within the following sequels.

3.5/5

If you like this you should try

The Lost Boys (1987) 4/5

Buffy the Vampire Slayer (1992) 2/5

The Craft (1996) 4.5/5

The Ides of March (2011)

Directed by George Clooney

Starring Ryan Gosling, George Clooney, Paul Giamatti, Philip Seymor Hoffman, Evan Rachel Wood

Oh Ryan Gosling, it's you again. Doing another round eh?

A warning to George Clooney at this point. Not all political dramas are gripping. So don't stick them all the time. This is the proof.

With a campaign trail for a presidential candidate, Stephen Meyers is on the road to success. Until a can of worms is opened and lots of nastiness and dirty play is brought out.

There's not much else to this film. At the end I had to question myself whether anything happened or not. Still not sure.

All right so Gosling is gorgeous and Clooney is charismatic. Hoffman and Giamatti are the American thespian actors and the story has all the markings of what tugs strings at the Academy. But for me, there was nothing to excite me. The story felt bland and if I'm honest, I wasn't sure anything was actually resolved.

Feels like how Jerry Maguire felt. Only in politics.

3/5

If you like this you should try

Jerry Maguire (1996) 2/5

In Time (2011)

Directed by Andrew Niccol

Starring Justin Timberlake, Cillian Murphy, Amanda Seyfried, Alex Pettyfer

For years there's been speculation of a Logan's Run remake. This could take the stand for the time being.

In a future where time is a currency and where it's limited after the age of twenty five, Will Salas is put on the road of trying to bring down the system after he is given a century to his life line.

Along the way he bumps into Sylvia Wiess, daughter of a time keeping conglomerate who loans time out yet manages to have a huge stack himself.

And then there are the Time Keepers headed by Raymond Leon who are now tracking down the two as they are stealing from the rich and heading straight for the time deprived.

So it's a sci-fi Bonnie and Clyde.

In Time isn't as shiny as it claims to be. There are novel ideas which are pulled off, but as an action film it only does the job half way. Cillian Murphy attempts to do what he can, but I can't help but feel if he would have done better having fun instead of being straight about it all. In tradition of Hollywood the villain is played by a British actor. Here Alex Pettyfer is a standard gangster.

If anything it's Justin Timberlake who gets credit. He blends well with the entire film. If only because they both play it safe.

3/5

If you like this you should try

Gattaca (1997) 4/5

The Island (2005) 3/5

V for Vendetta (2006) 5/5

Flashbacks of a Fool (2008)

Directed by Baillie Walsh

Starring Daniel Craig, Olivia Williams, Helen McCrory

Funny how fame can change someone. Daniel Craig plays the character I'm sure he won't want to become in any hurry. As Joe Scot he's a drug and sex enjoying actor who's actually fading from public view. A phone call from England informs him that his childhood friend Boots has died. Thus begins a trip down memory lane.

Flashbacks is a nice film, but it doesn't actually do anything. I'm not sure where Joe's fame arose from and there's not much focus on Boots to see why he was so important to Joe's character. There are some fun glam rock moments. Olivia Williams gets a nice role. But to be honest most of the film looks like a grittier episode of Heartbeat.

3/5

If you like this you should try

Billy Elliot (2000) 3/5

C.R.A.Z.Y. (2005) 5/5

Exorcist II : The Heretic (1977)

Directed by John Boorman

Starring Richard Burton, Linda Blair, Louise Fletcher, Ned Beatty, Max Von Sydow, James Earl Jones

Turns out our poor Reagan isn't in the clear yet when it comes to demonic possessions. Her psychiatrist wants her to dive deeper into her dreams and share them with her, risking everyone involved. At the same time the Catholic Church have asked Father Philip Lamont to investigate Father Merrin's exorcism from the original film.

With very little imagination and the idea that it could live up to cinema's greatest horror film, Exorcist II does practically everything wrong. It may be wrong to compare it to the original. In doing so we see that the film has no charm, no energy and no goal. As a stand alone film, it's confusing, tiresome, long and cheap.

You can feel effort from the cast, but one can only sense that their pay checks were strong enough to keep them through the film. Otherwise, I'd have difficulty believing they were doing the right thing.

Am trying to understand the opening up of the demonic scenario into the world, by placing activities in various places. But the joy of the original was that it was set in the one place. And the one girl.

1/5

If you like this you should try

The Exorcist (1973) 5/5

Ginger Snaps (2000)

Directed by John Fawcett

Starring Emily Perkins, Katharine Isabelle, Mimi Rodgers

Fun teenage horror story of two disturbed teenagers learning that growing up isn't so easy. Especially after a bite of a werewolf that happens to be roaming around the neighbour hood.

It's nice to see a teenage horror film being funny as well as meaningful. Mimi Rodgers is rather sweet as the sister's ditzy mother, who's understanding of becoming a woman is all rather sitcom like.

3.5/5

If you like this you should try

The Craft (1996) 4.5/5

The Exorcist (1973)

Directed by William Friedkin

Staring Ellen Burstyn, Max Von Sydow, Lee J. Cobb, Linda Blair, Jason Miller

After The French Connection William Friekin makes his gritty style known here. From his own novel William Petter Blatty adapts the story of a girl possessed by a demon who claims to be the devil.

Horror doesn't come any more intelligent than this. Usually horror should be shocking or fun. The Exorcist takes a serious look at the spiritual world of good and evil. Rather than have the demon as the villain doing the scaring, the more frightening parts come from where the choices the characters have made. This is probably the most mature horror film and should be treated as such.

Perfect for Halloween. When alone.

5/5

We Need to Talk About Kevin (2011)

Directed by Lynne Ramsey

Starring Tilda Swinton, John C. Reilly, Ezra Millar

It was said that Lynne Ramsey would have directed The Lovely Bones a few years back. After various disagreements and such, she left the project and it was given to Peter Jackson. The Lovely Bones for Ramsey would have been interesting, but it's a novel with more snow than grit for her.

Here however she takes Lionel Shriver's novel into what is the best drama film I've seen all year.

Eva is looking back upon her past relationship with her first born child, a sinister child named Kevin. She's perplexed at how his behaviour is so notorious and as Swinton portrays it, how she manages to let him get away with it.

As everyone seems to have contempt for Eva, we start to learn than Kevin has done something awful. And naturally the questions start to arise, such as if Eva responsible for letting him act this way - or is Kevin evil from day one?

This film doesn't answer these questions. What it does do is allow a woman to not enjoy motherhood. Ramsey has made the right decision in making the film slightly art house. It's here we discover that it doesn't matter what horrible thing Kevin has done - but that Eva is to face the wrath of it.

Tilda Swinton may look stale, but she does it so well. Again and again she proves herself well. Here she is nothing short of brilliant. It doesn't matter if Narnia will carry on - Swinton was always going to be fine.

5/5

If you like this you should try

Elephant (2003) 4/5

Poltergeist (1982)

Directed by Tobe Hooper

Starring JoBeth Williams, Craig T. Nelson, Beatrice Straight

It's funny how children attract danger or can be vessels for paranormal evil.

The premise is as old as horror. A family discover that their home is haunted. But the ride along the way is much different.

Poltergeist shows what can usually be the downfall of a film and uses a big budget to run with the imagination. Normally its what the audience don't see. But here the audience are treated to spectacles after intelligent build ups.

4.5/5

If you like this you should try

The Exorcist (1973) 5/5

The Omen (1976) 4/5

The Shining (1980) 3/5

Johnny English Reborn (2011)

Directed by Oliver Parker

Starring Rowan Atkinson, Gillian Anderson, Rosamund Pike, Dominic West

Did you hear anyone say, 'I can't wait for Johnny English 2' in 2003?

I didn't either.

That's not to say I disliked it. Johnny English was a charming, fun take on a well meaning spy who just thought too highly of himself. The makers wanted a new British Inspector Clouseau, and they relied their faith on Rowan Atkinson.

Now English is called back. He's been in Tibet, training himself to become a more centered individual. MI:7 want him back as he's the only way of getting information on the mysterious Vortex group.

Rowan Atkinson does his job well. Whatever isn't funny in the script he gives a go. Though he rarely succeeds. Most of the cast really do leave the work up to Atkinson. Surprises aren't rampant enough. It's as charming as Zoolander. But it's also as funny as it. Not saying as much.

3/5

If you like this you should try

Zoolander (2001) 2/5

Johnny English (2003) 3/5

Stormbreaker (2006) 3/5

Pumpkinhead (1988)

Directed by Stan Winston

Starring Lance Henriksen, Jeff East, John D' Aquino

Stan Winston, effects wizard of monsters and creeps gets to direct his own film. And throws in one of his nightmarish fiends to terrify us. Or at least the teenagers it sets after.

After loosing his son to a accident, Ed Harley managed to raise a crazed monster who will seek revenge on the teenager(s) responsible. Thus questioning of, 'What is it?' and the chase begins.

The deaths aren't gory enough for horror fans, if they are ever seen at all. And only once did I manage to feel a bit of suspense. Down played is the set piece of the monster itself, who carries with it a shaky sound effect. With plenty of fog to run about in, and a very weak idea of how the monster is to be killed, boredom seemed rife.

Sam Raimi's The Evil Dead may have started this run of creatures and teenagers in the wood. But it's clear there's not too much passion for letting the teens see a gruesome, ever overplayed end. If that's what it takes.

1.5/5

If you like this you should try

The Evil Dead (1981) 3/5

Poltergeist (1982) 4.5/5

Tinker Tailor Soldier Spy (2011)

Directed by Tomas Alfredson

Starring Gary Oldman, Benedict Cumberbatch, Mark Strong, Colin Firth, Toby Jones, Ciaran Hinds, Kathy Burke, Tom Hardy, John Hurt

Calling various Harry Potter actors, there's still plenty of work available for you in adaptations.

Thank God.

John le Carré's novel gets it second adaptation, over three decades after the BBC's go. And for an audience that hasn't read the novel or seen the original, it's gorgeous.

Smiley, a retired espionage veteran is to attempt to catch out a mole in MI6 placed by the Soviets. And there I'll leave it.

I won't lie. One got a tiny bit confused with the lingo. One has an idea that the television show gives more time to allow details to ring. And if you're looking for suspense, the film doesn't deliver.

What Tinker Tailor does supply are the most beautiful performances I've seen in a long time. Whereas the majority of cinema goers feel reassured that Gary Oldman will do a good job, he may have to watch himself. Only because here he outdoes himself. With every movement of his natural and not letting himself get indulged, he has certainly won a heart that was already his.

Benedict Cumberbatch is certainly charming. And I feel it's nice to see Colin Firth take a step back and allow his presence be felt, but not weighted.

Due to the confusion, one may have to sit through it again. A pleasure rare in cinema today.

4/5

If you like this you should try

State of Play (2009) 3/5

Melancholia (2011)

Directed by Lars Von Trier

Starring Kirsten Dunst, Keifer Sutherland, Alexander Skarsgard, Stellan Skarsgard, Charlotte Gainsbourg, John Hurt

Along with Darren Aronofsky, Lars Von Trier is probably the only other pioneer of art house cinema thrown to the mainstream. And like Aronofsky, Von Trier is always more difficult for me to swallow than mainstream. Although his films tend to be better, one can't help feel, well...bored.

Melancholia sees Kirsten Dunst play Justine, a newly wed who on her wedding day manages to cause controversy with her sister and husband by not buying into her new happiness. Here we get John Hurt and Charlotte Rampling giving a British flavour of family - something that would look better in a Mike Leigh film than here.

There's an oncoming apocalypse according to the anxious behaviour of Justine's sister, Claire. But to be honest all the way through I didn't actually see where the two sister's conflicted interests where. Maybe because I'm used to linear narratives. Or maybe because this film isn't working enough to keep my attention.

Von Trier's previous film AntiChrist was gory, strange and difficult to swallow - but there was enough to keep the ball going. Even more impressive that it only had two characters. Melancholia on the other hand is just dull. I enjoyed the appearances of big actors, but somehow I think they where dooped. Dunst most of all.

2/5

If you like this you should try

Requiem for a Dream (2000) 2/5

Frost / Nixon (2008)

Directed by Ron Howard

Starring Frank Langella, Michael Sheen, Sam Rockwell, Rebecca Hall

Ron Howard gets the job of making the hit stage show suitable for the stage. And in Howard fashion, there's a lift of joy and inspiration for the talk. Because that's what this film about. Talking.

David Frost's infamous chat with disgraced US president Richard Nixon is put into play with such enjoyable fair. There's fun to be had, although sometimes I do feel like the film was meant to be much more sinister. Howard doesn't want to go down this route. And instead we get a political drama with very little politics. Understandably. If it was laid with heavy political talk, the audience would yawn.

Michael Sheen is great fun as David Frost. Frank Langella stays clear of playing a villain. Which could have been fun if he pulled a Skelletor - but then Nixon might have been a scarier Master of the Universe.

4/5

If you like this you should try

A Beautiful Mind (2001) 3/5

The Queen (2006) 4/5

The Skin I Live In (2011)

Directed by Pedro Almodovar

Starring Antonio Banderas, Elena Anaya, Jan Coret, Marisa Paredes

Always get worried when Almodovar does something dark rather than funny. Maybe because I never warmed to Matador. However Bad Education has shown me otherwise.

Robert Ledgard, a brilliant plastic surgeon, has his own personal project. A girl locked in a room by the name Vera. But how did she get here? And why is she so complacent to stay there, reading and being catered for, considering she's locked up.

I suppose all will be revealed. But in the meantime gaze at Almodovar's lift of Hitchcock. Delight yourself in the dark macabre of his storytelling. And drool at how ruddy handsome Antonio Banderas is still.

Have seen now that when Almodovar can handle soft thrillers. Maybe it's time I gave Matador a second chance.

5/5

If you like this you should try

Notorious (1946)

Matador (1986)

Super 8 (2011)

Directed by J.J. Abrams

Starring Joel Courtney, Riley Griffiths, Ryan Lee, Gabriel Basso, Zach Mills, Kyle Chandler

Making the military the bad guy? Strange goings on in a small town. Focus on the family.

If you're going to make a Steven Speilberg homage, get the man himself to produce.

Joe Lamb and his friends enjoy making films. His father doesn't approve, especially since Joe's mother was killed in an accident.

On one of their shoots, the group of kids experience a train wreckage. From there on in they're on an adventure of wondering why people are going missing and electricity is failing.

With the mystery and the holding of friendships and trust, Super 8 is a Stand By Me for a new generation. Only much better.

4/5

If you like this you should try

E.T. The Extra Terriestrial (1982) 3/5

Stand By Me (1986) 2/5

Cloverfield (2008) 3/5

Where the Wild Things Are (2009) 4/5

Without A Clue (1988)

Directed by Thom Eberhardt

Starring Michael Caine, Ben Kingsley, Jeffery Jones, Paul Freeman

As much as firm fans of Sherlock Holmes would hate again the word 'Elementary', they shouldn't worry too much.

Turns out our beloved detective isn't quite as fantastic as we think. He's actually a useless drunken actor. Dr. Watson is the brains, but requires Holmes to keep up the prestigious image.

With a new case, Dr. Watson must endure the madness of Holmes to clear up the matter.

As mentioned, fans of Holmes shouldn't be too upset. The film is a gentle thriller for family fun. But it's Michael Caine who shows his comedic quality. Sometimes he would have me roaring.

3.5/5

If you like this you should try

Young Sherlock Holmes (1985) 3/5

Teeth (2007)

Directed by Mitchell Lichenstein

Starring Jess Weixler, John Hensley, Josh Pais

Rarely do I get to see horror films. And when I do, they're usually because of big budgets or at least one big star carrying the project.

This on the other hand is a low key affair.

Dawn, a teenage girl who's dedicated to celibacy starts to discover that some boys aren't so dedicated. But she also discovers, to her horror, that she has quite the defencive mechanism for them.

Readings of feminist theory and purity galore. But my concern is whether it's enjoyable.

If one isn't squemish, the film is actually a funny horror. It's not intentionally humourous, but its appearance here is welcome in order to let the audience not feel too weighed down with horrific gore. And I was quite fond of Dawn, a strong character but who isn't fully aware of her surroundings as of yet. Usually strong females characters are so because they know practically everything. Here we see development.

Keep eyes peeled for the amusing credit at the end. Not original, but a reminder of men shouldn't get up to.

3/5

If you like this you should try

Ginger Snaps (2000) 3.5/5

Captain America : The First Avenger (2011)

Directed by Joe Johnston

Starring Chris Evans, Tommy Lee Jones, Hugo Weaving, Hayley Atwell, Dominic Cooper, Toby Jones, Stanley Tucci

It's heating up now for Marvel. Surely to hammer two of its Avengers characters within a few months of one another will create a withdrawal symptom for fans?

Back in time we go to the second World War. A villain even worse than Hitler is running occult amok with science. America is attempting to thwart his plans. So after Stanley Tucci's Dr. Abraham finds a suitable candidate, he manages to create a fully fighting soldier out of Chris Evans' weedy Steve Rodgers.

One finds this difficult to believe at first, for anyone who knows that Chris Evans plays rather masculine characters all the time, the CGI skinny effects weren't convincing enough.

Dr. Abraham is killed with the experiment. Steve Rodgers is signed up to be a mascot for the American people, ala Captain America. But for Steve this isn't enough. And soon enough he's found a way to fight off Nazi evil.

Not as fast as this year's Thor was. Director Joe Johnston wants to be serious with his hero flick - and that's fine. Younger viewers may get bored. Older viewers, in particular comic book fans, will love the playing of references and the fun available. They'll feel proud that someone is taking care of their superhero.

Personally, I was hoping for a bit more fun and colour. But this isn't a complaint. Johnston has provided a nice summer blockbuster yarn which is pretty harmless.

Next year however, Joss Whedon's The Avengers will have to ride on a handful of other films that have led up to it. And if it goes to pot, well, that's why Marvel have rebooted Spider-man all too soon. Withdrawal symptoms seem to be a specialty of theirs.

3/5

If you like this you should try

The Shadow (1994) 3/5

Sky Captain and the World of Tomorrow (2004) 3/5

Indiana Jones and the Kingdom of the Crystal Skull (2008) 1.5/5

Crouching Tiger, Hidden Dragon (2000)

Directed by Ang Lee

Starring Chow Yung Fat, Michelle Yeoh, Ziyi Zhang

In the midst of, what I assume is ancient China (or at least 17th Century), two warriors trained in highly mystical arts are in pursuit of a renegade criminal. To confuse matters however, a special sword owned by one of the warriors is stolen - and the mystery deepens to discover who has it and why.

Despite all the perception of it contain martial arts, this is not an action film. In fact I'll bet a number of those expecting a lad's night out will be sorely disappointed.

Crouching Tiger, Hidden Dragon isn't to be dismissed. Ang Lee has made sure the scenery is easy on the eye, while the plot isn't too complex. The overall effect is a beautiful film - almost like a dream. It's very rare I can say that about a film.

The set pieces are gorgeous, the actors swan about through the air, the fight scenes are a joy. Every once in a while the West need to experience a film they can appreciate from outside their blockbuster comfort zone. This looks like it.

5/5

If you like this you should try

Mulan (1998) 5/5

My Soul To Take (2010)

Directed by Wes Craven

Starring Max Thierot, John Magaro, Denzel Whitaker, Zena Grey, Nick Lashaway

It's almost like Wes Craven had some spare time while producing Scream 4 to do this. And whilst he's at it, why not play with 3D cameras?

Turns out a 'Ripper' killer terrorised a small USA town, before meeting his downfall to the police. But of course in Wes' mind of Freddy and Ghostface - evil doesn't die that easily.

By sheer coincidence, seven children were born the night of the downfall. Now, sixteen years later, Bug, one of the children, is fighting of the turmoils of hormonal teenagers and the up and coming slaughter fest.

My Soul To Take isn't bad. In fact it's better than Nightmare On Elm Street. But I never did like that. However it's too confusing, even within the first twenty minutes, for it to be a fast and fun horror. It's possible that Scream 4 won't end up in 3D as this doesn't use the technology to any avail.

2.5/5

If you like this you should try

A Nightmare On Elm Street (1984) 2/5

Scream (1996) 5/5

Harry Potter and the Half-Blood Prince (2009) 4/5

A Nightmare On Elm Street (2010) 2/5

The Human Stain (2003)

Directed by Robert Benton

Starring Anthony Hopkins, Nicole Kidman, Ed Harris, Gary Sinese, Wentworth Miller

Hopkins usually finds himself being really angry in his films. Unless he's the bad guy in which he installs fear by speaking quietly.

This is the former.

Hopkins Coleman Silk, a disgraced college Dean who after his wife dies, starts an affair with a younger woman and talks to a writer about it. This is then interrupted by various flashbacks to his past, where he grew up as a half cast child. Hiding his 'secret' to gain a college place, Silk in his old age tries to put it in perspective.

The whole film feels as if the actors have all gathered together to further their CVs. It's by no means a bad film, but I found the monologues a little pretentious. Not quite convinced by Nicole Kidman's character either.

3/5

Women on the Verge of a Nervous Breakdown (1988)

Directed by Pedro Almodovar

Starring Carmen Maura, Antonio Banderas, Julieta Serrano, Mariá Barranco, Rossy de Palma

Exceptionally camp comedy from Almodovar shows what he does best. Although much tamer than his previous films, Nervous Breakdown contains as much, if not more fun than what he's offered before.

The beautiful Carmen Maura is Pepa, a voice actress who is getting herself together after her lover has left her. Throughout the time of her trying to contact his wife and son, Pepa slowing starts seeing that all is not well with her. Soon enough she starts doing silly things, and she isn't the only one.

It's probably the most comfortable of Almodovar's, even colourful enough to allow a possible family viewing. It's laughable, silly and exceptionally enjoyable.

5/5

If you like this you should try

Ruthless People (1986) 4/5

C.R.A.Z.Y. (2005)

Directed by Jean-Marc Vallée

Starring Michel Coté, Marc-André Grondin, Danielle Proulx

A coming of age story that doesn't fully use it's 1970's setting. Which is good here.

A Catholic family growing up in a French Canadian background find that two of the children (all of which are boys) have significant problems. The eldest, Raymond, is interested in drugs, girls and generally becoming a rebel. Zachery, who we see the majority of the film through, is going through a confusing stage of identity - and finds that his style and music is firmly disapproved of by his father.

C.R.A.Z.Y. is too loving to be truly satisfying for subjects such as sexuality and sibling rivalry. Instead the film wants it to be clear that there are no definitive answers in life - but instead it's all just too crazy (no pun intended). The film is gorgeously filmed, and even when at his worst, the viewer finds that Zachery is all too touching a character.

4/5

If you like this you should try

Ma vie en rose (1997) 3.5/5

Velvet Goldmine (1998) 3/5

Mysterious Skin (2004) 5/5

How to Lose Friends and Alienate People (2008)

Directed by Robert B. Wade

Starring Simon Pegg, Kirsten Dunst, Bill Patterson, Miriam Margoyles, Jeff Bridges, Megan Fox

Riding on British success, Simon Pegg does it alone without Nick Frost when he hits America.

Based on Toby Young's memoirs, Simon Pegg is Sidney Young, a cocky magazine writer who has been enlisted to work for a leading celebrity magazine in New York. His antics get him noticed, mainly for bad at the start. This is before he starts seeing the sleezy side of glamour.

Pegg is pretty likable in this - much more so than he was in Shaun of the Dead. The contrast of a British individual in American settings plays off funnily towards the start, before the general formula of him rising against expectations starts to play off. Here then he starts to find favour with editor (a usual Jeff Bridges) and more importantly Alison, his love interest (Kirsten Dunst...which is odd because I normally can't see her loving anyone with out a spidey secret).

Predictable, yes. But fun and sweet.

3/5

If you like this you should try

The Devil Wears Prada (2006) 3/5

Men in Black II (2002)

Directed by Barry Sonnenfeld

Starring Tommy Lee Jones, Will Smith, Laura Flynn Boyle, Johnny Knoxville, Rip Torn

You ever wonder if Will Smith forgave Barry Sonnenfeld for Wild Wild West? He must have. Otherwise this wouldn't have occurred.

Something tells me that friendship is exceptionally strong if it makes it through this.

A new alien is in town, this one taking the form of sexy Laura Flynn Boyle. She looking for some Light of something or other. Already I'm annoyed that the chance to pull out jokes is placed around some feeble plot that's very similar to the previous Men in Black. Am I being too harsh?

No. Poor Tommy Lee Jones is told to just be a hard ass - but not too much for the kids. Will Smith does get to exercise some laughs - which are again, not for kids to grasp.

There's even very little for young ones. The film's pace is perfect for them, as it doesn't stretch out long enough for them to get bored.

The script is awful. None of it is really pulled off well. All the way through I felt that this was something directed straight to video.

1.5/5

If you like this you should try

Men in Black (1997) 3/5

Mystery Men (1999) 5/5

Galaxy Quest (1999) 4/5

What Have I Done To Deserve This (1984)

Directed by Pedro Almodovar

Starring Carmen Maura, Gonzalez Suárez, Luis Hostalot

Now this is more like it.

Addiction to prescription drugs, hanging out with local prostitutes and some pedophilia injected in for a few more laughs. Only Almodovar can pull this off.

Gloria, an ill-literate mother is attempting all she can to ensure her sanity. This doesn't prove easy as her unappreciative husband and her bizarre mother-in-law constantly provide hassle. She attempts to take jobs here and there, her husband disapproving. Her oldest son is involved with drugs whilst the youngest is an accepting target for older men.

Looking back on it, the film doesn't have full plot. It's nice to see the main character face each obstacle in order to better herself. And Almodovar manages to keep the structure neat with a clearer goal and, dare I say it, bigger budget.

4/5

Dark Habits (1984)

Directed by Pedro Almodovar

Starring Christina Sánchez Pascual, Will More, Marisa Paredes, Carmen Maura, Celia Roth, Laura Cepeda

A group of queer nuns who dabble in drugs take into their convent a selfish nightclub singer.

Not as striking as Almodovar's previous films, Dark Habits has a kind of The Exorcist quality about it. Set in very few locations and having sacrilegious imagery throughout.

Almodovar may be slipping here. His ludicrous ideas still run through. Much like the heroin going through Mother Superior's veins. But he doesn't expand them out, which is a shame. One feels that this could have been a lot more colourful.

3/5

If you like this you should try

Black Narcissus (1947) 4/5

The Castle of Cagliostro (1979)

Directed by Hayao Miyazaki

Starring Yasuo Yamada, Eiko Masuyama, Kiyoshi Kobayashi

Fancy some frantic fun? This is the right film.

Lupin, a charismatic and warmed hearted thief is thrown into the mission of saving a young girl from and evil Count. To do this he must penetrate the twists and turns of Cagliostro Castle, where surprises lurk and villains master.

You could draw parallels with Hitchcock films, car chases of the 1970's cop films and general swashbuckling types for this. What Cagliostro manages to do is churn them up into a pacey, beautiful, almost European feel adventure that proves animation can be fun for all ages.

4.5/5

If you like this you should try

Family Plot (1976) 4/5

The Rescuers (1977) 4/5

Labyrinth of Passions (1982)

Directed by Pedro Almodovar

Starring Celia Roth, Imanol Arias, Helga Liné, Marta Frenández Muro, Antinio Banderas

Sexilia, a nymphomanic, Sadec, a gay Islamic terrorist and Rizo Niro, the sexually confused son of the exiled Emperor of Tiran, have their lives cross one another in this camp melodrama. And with the previous Almodovar film, we're starting to see his themes of not shying away.

Still pretty low in budget, you can't but give it to the director who fully wants to entertain and use all those elements we don't normally see in film.

Fun, sexy but again horribly vulgar at times, the audience can start finding solace in the ridiculous.

4/5

If you like this you should try

Airplane (1980) 4/5

Pepi, Luci, Bom (1980) 4/5

Little Norse Prince Valiant (1968)

Directed by Isao Takahata

Starring Yukari Asai, Mikijiro Hira, Etsuko Ichihara

Takahata's take on Scandinavian lore has its dark undertone - but I'm not sure if it's rampant enough. Supposedly the target is a children's audience.

Hols, a young boy who fights off nasty wolves, discovers the Sword of the Sun in a huge talking rock. This then leads him on a journey to another village who has been plagued by the evil of Grunwald, an evil magician. - who bares some similarity in his look to Sleeping Beauty's Maleficient.

The whole thing is too adorable and safe for children. It's not riddled with songs and it does contain elements that Disney would normally opt out off.

3/5

If you like this you should try

Sleeping Beauty (1959) 4/5

Poetry (2010)

Directed by Chand-dong Lee

Starring Jeong-hie Yun, Nae-sand Ahn, Da-wit Lee

You know those long foreign films that you sit through and feel, 'This is true art house?' This could be one of them - if only it wasn't so irresistibly sweet.

Mija, a woman in her sixties, is informed of her having the early stages of Alzheimer's. And for years she's wanted to write a poem. So she takes herself to a poetry class. This is secondary to the film's plot as it turns out her grandson is part of a dodgy group. Soon enough she faces financial difficulty in helping him out of trouble - and gaining no gratitude.

Poetry is gorgeous to look at and moves swiftly through the small items - such as badminton games in the street and walks to isolated places as Mija tries to gain inspiration.

Although for someone like myself who studied Creative Writing, I can't bring myself to agree with half of the things the Poetry teacher tells his class throughout.

4/5

If you like this you should try

The Way Home (2002) 3.5/5

Norwegian Wood (2010) 3/5

Underworld : Evolution (2006)

Directed by Len Wiseman

Starring Kate Beckinsale, Scott Speedman, Shane Brolly, Derek Jacobi, Bill Nighy

Time for character development. Seline and her new found hybrid Michael, are now on the run from vampires. It turns out that Michael is a member of the family of immortals - one vampire, one Lycon. The vampire was Marcus, the head of the Vampire household Seline was once member of. Now he's been awakened, and wishes to release his captive brother.

Seline and Michael are falling in love of course - and thankfully it's not over stretched out.

Where the first Underworld film didn't deliver, this one does. The action is a bit pacier and clearer. Though still in the boys toys vein. And Kate Beckinsale got even sexier. If only her script could be the same. Her Seline character does come across as a fantasy type Lara Croft. There are even moments when her leaping and dodging of bullets do resemble a video game.

Derek Jacobi turns up not playing a villain. This is rare where the British actor gets a minor role that's not sinister.

Evolution is enjoyable, but it's tone in Gothic scenery and style has been dumbed down. Instead the characters are on the run in rural locations. This is used for more inventive fight scenes. For fans of the original, this is surely a plus point.

3/5

If you like this you should try

Predator (1987) 2/5

Batman Returns (1992) 5/5

Lara Croft Tomb Raider : The Cradle of Life (2003) 1/5

Underworld (2003)

Directed by Len Wiseman

Starring Kate Beckinsale, Scott Speedman, Shane Brolly, Michael Sheen, Bill Nighy, Sophia Myles

Vampire and Lycons (werewolves) have spent centuries battling it out. Now in a modern day European city, a strong willed vampire named Seline (Beckinsale) has found a plot of the Lycons to track down a human, Michael (Speedman). So she tails the human and in doing so causes lots of controversy within her Covenant.

Looking like a horror film but ultimately an action flick, Underworld has taken what it's seen throughout the past few years to throw into its mixer. And that's the problem. Any of the original or exciting ideas are shot out within the first thirty minutes, leaving no ammo for the duration of the film.

The action scenes are soft while the blood flow can be hard - a trick which should be the other way around.

Beckinsale is very sexy in tight black leather, so there's a fanboy relative to The Matrix's Trinity. But I don't remember any of the Matrix crew swishing around in long black leather as much as Kate does. Speedman's ugly hunk is not there much, so already there's still a direct aim to a young male demographic. You think Bill Nighy's British performance will swing things? Maybe - but only after he get away from a plaster of vampire makeup and into some dishy leather robes.

It's not all bad. The film is beautifully stylish. The unnamed European city the film is set gives a nice atmosphere. And there's a rocky soundtrack for anyone who will be playing whatever WarHammer equivalent there is to this.

2.5/5

If you like this you should try

Blade (1998) 3/5

The Matrix (1999) 4/5

Pitch Black (2000) 3/5

Queen of the Damned (2002) 4.5/5

Resident Evil (2002) 3.5/5

Far From Heaven (2002)

Directed by Todd Haynes

Starring Julianne Moore, Dennis Quaid, Dennis Haysbert, Patricia Clarkson

The second deal where Julianne Moore gets to face repression in 1050's suburban America. The Hours she has a bit of a snog with a girl. Now she's stumbling across her husband getting it on with a guy.

Poor Julianne.

All the way through Far From Heaven is designed to look like a 1950's film. And that's gorgeous to look at. Julianne is pretty as well. And she's gracious enough to let her co-stars have screen time. But ultimately it's her film, and she deserves to shine.

Am rather glad the film doesn't use its gay theme too much. And talking to a black man isn't what's striking either. It's the ruddy neighbours. Various points I was thinking, 'Thank Christ I don't live in this time'.

And then I look out into the streets of Belfast.

Got a bit personal there.

4/5

If you like this you should try

American Beauty (1999) 4.5/5

The Hours (2002) 5/5

Bridesmaids (2011)

Directed by Paul Fieg

Starring Kirsten Wiig, Maya Rudolph, Rose Byrne, Michael Hitchcock, Chris O'Dowd

What seems to be dressed up as a chick flick sort of pleasantly dives from its conventions. But not enough.

Annie, a failed baker finds herself maid of honour for her best friend Lillian's wedding. But she faces competition from Lillian's new best friend Helen, who seems to be loaded with money and ideas of perfection. Annie must then embark on a subtle showdown with Helen, amongst the other Bridesmaids in order to show her affection.

The problems with Bridemaids' clichés are quickly covered up by good silly humour. Not surprising Judd Apatow produced this, which had me shaking with expectations of the 'f' word being spewed in every sentence, as well as some male bromance action. But the film sticks to its chick lit expectations by making sure focus on solely on Annie's constant battle with the frustrating Helen.

Matt Lucas and Chris O' Dowd show up in supporting roles. One was expecting Steve Pemberton or even Rowan Atkinson to appear.

Soon enough clichés do appear again, and to be honest, what else did I expect? Kirsten Wiig is a likeable heroine - though not as much as Bridget Jones. The film is fun crowd pleaser, and with that will do very well. But edgy comedy it is not, which is a disappointment on my behalf. Though I did laugh like a drip.

Maybe I should stop reading into film posters where the characters have cynical looks.

3/5

If you like this you should try

Bridget Jones's Diary (2001) 4/5

My Big Fat Greek Wedding (2002) 3/5

The Hangover (2009) 2.5/5

Pepi, Luci, Bom (1980)

Directed by Pedro Almodovar

Starring Carmen Maura, Félix Roteata, Olvido Gara

Happy opening titles and dodgy editing can only mean low budget. Which is why I urge it to be ignored in this case. Though the treat in store is vulgar and masochistic and colourful. Not to everyone's stomachs.

Pepi lives carefree in her apartment with her weed plants. As a bribe she offers herself to her neighbour for his silence, but in turn is raped. She, with her friend Bom seek revenge. They have the advantage, with Luci – Pepi’s raper’s wife.

The three embark of discoveries of what the pleasures of drugs and sexual violence can be.

Aside from that there's nothing much to it. For such things to occur in a film, it would have to be a low budget case.

Pepi, Luci, Bom is fun and disgusting without being horrific.

4/5

Clash of the Titans (1981)

Directed by Desmond Davis

Starring Laurence Olivier, Maggie Smith, Ursula Andress, Claire Bloom, Harry Hamlin

My knowledge of Greek mythology isn't strong. Though if it was, this film would probably fair worse with me than it already is.

Perseus, Son of Zeus, finds himself in the midst of the constant punishing of humans by the Gods. But being the son of a God has its perks. First of he's destined to get the girl. And while the three Goddesses Hera, Thetis and Aphrodite have their plots to ensure revenge is set in for their mistreatment - not giving much of a leeway for our young hero.

Within a few years of Star Wars, adventure is pretty rampant. However, desolate areas and attempts at ye olde language don't seem to be pulled off. The film is dull. There's even a sense of exhaustion from the actors - and you can't get your head around Laurence Olivier playing Zeus. Maybe the opportunity of being around pretty lights appealed.

Ray Harryhausen's special effects are a joy - if you don't count a frustrating mechanical bird flapping around throughout for comic effect.

At times I don't feel this is for kids - and mainly because there's not enough for them to be interested. There's nothing benchmark about the film, which is a shame. The Empire Strikes Back appears to be the starting point of the decade's strong fantasy / sci-fi genre. Clash of the Titans however doesn't want to carry it.

1.5/5

If you like this you should try:

The Ten Commandments (1956)

Captain Sindbad (1963) 3/5

Star Wars (1977) 3.5/5

Harry Potter and the Deathly Hallows: Part 2 (2011)

Directed by David Yates

Starring Daniel Radcliffe, Emma Waston, Rupert Grint, Maggie Smith, Julie Walters, Helena Bonham Carter, Michael Gambon, Ralph Fiennes, Robbie Coltraine, Tom Felton, David Thewlis

Whether or not the final Potter film is a strong adaptation is secondary. Loose ends must be tied, spectacles must be had and even that tension between...wait, I won't spoil.

With a little more knowledge and help from a mysterious goblin, Harry, Ron and Hermione go off on another adventure - quite outside the Hogwarts frame. Already the film's pace is set. And it's really nice to see the fantasy element take real shape. With goblins, dragons, cursed pieces, I felt it was close to the stuff Terry Pratchett would go on about.

Then to Hogwarts for the final showdown and battle with Voldemort and his cloaked gang.

At around two hours, the shortest Potter film, the entire thing is a general summer blockbuster. With many special effects, pretty scenes, spell battles and British actors, Deathly Hallows Part 2 could be the most appealing of the summer's offerings.

Alan Rickman returns. All the way through he's provided the most fun I believe. Now it was his turn to shine.

What it lacks is the reinvention I often looked forward to with the previous films. But it had to end sometime. So it's only right that the film goes out with a terrific bang. The only drawback is that Harry's world isn't explored as thoroughly as we'd like it to be.

Fans will be sad to see it go. But for me, I'm happy to put this series to rest. From film number one where we have an adorable children's film, right through to letting Ralph Fiennes don a superb villain outfit, Harry Potter has entertained, inspired and kept British actors in work for a decade.

4/5

If you like this you should try:

Star Wars (1977) 3.5/5

The Lord of the Rings: The Return of the King (2003) 3/5

The Chronicles of Narnia: The Lion, The Witch and the Wardrobe (2005) 3/5

Harry Potter and the Deathly Hallows: Part 1 (2010)

Directed by David Yates

Starring Daniel Radcliffe, Emma Watson, Rupert Grint, Alan Rickman, Ralph Fiennes, Robbie Coltraine, Rhys Ifans, Helena Bonham Carter, Bill Nighy

Harry returns to Hogwarts...actually no wait.

Harry does NOT return to Hogwarts. And thus already the start of a completely different format of Potter film.

Voldemort has gained masses of power. Harry and his friends are left on the run. Bill Nighy grabs the final role going in the British series.

For fans feeling that Warner Bros' decision to turn the final Potter book into two films was a bit cynical, they could be right. For a portion of the film there are several long moments of Harry standing about the wilderness, wandering if he and his friends are ever going to have wonderful times again.

And again like its predecessors Deathly Hallows takes a darker tone. But this one is much more frightening because it's a lot more real. There isn't a magical setting for the characters to play about. The film does concentrate on Harry and his friends in a much more vulnerable state. They no longer have Dumbledore for wisdom or intervening teachers to help. This is about the three as refuges.

And because of this the film stands more as a British thriller than a kid's fantasy. It's good to see a different style. Whatever Deathly Hallows' faults are (barely no Alan Rickman and even no Maggie Smith) fans and movie goers have to brace themselves for the truth that this series is ending. So for the meantime, enjoy the presence of the three main leads. And take note that a series does need reinvention to stay alive.

4/5

If you like this you should try:

28 Days Later (2002) 5/5

Eclipse (2010) 3.5/5

New Moon (2009) 3/5

Cabaret (1972)

Directed by Bob Fosse

Starring Liza Minnelli, Michael York, Helmut Griem, Joel Grey

Musicals are supposed to be feel good. Aren't they?

Yet Cabaret is pretty far removed from The Sound of Music. Though you do get Nazis within the deal.

Minnelli is Sally Bowles, the infamous creation of Christopher Isherwood, living poorly but extravagantly in 1930's Germany. A British teacher, Brian Roberts (Michael York) arrives, and soon the two are best friends, laughing about the absurdities of their surroundings and trying make a living. Roberts teaches English, while Bowles sings her heart out at the Cabaret.

Based on a stage musical, the transition is beautiful. From the starting surreal dance sequence introduced by Joel Grey's Master of Ceremonies to the final 'Auf Weidersehen', Cabaret is a beautiful but not overly sexualised film. Minnelli is brilliant with her script rolling off her tongue. It's useful she has those puppy dog eyes so as to remember that she's a human character and not some whore. She makes her jokes work, the songs flow and nothing stick in the way of letting Cabaret become a classic.

It's as Sally Bowles says herself; 'Come to the Cabaret.'

5/5

If you like this you should try:

The Sound of Music (1965) 3/5

The Producers (1968) 5/5

Harry Potter and the Half-Blood Prince (2009)

Directed by David Yates

Starring Daniel Radcliffe, Emma Watson, Rupert Grint, Jim Broadbent, Michael Gambon, Maggie Smith, Alan Rickman, Robbie Coltraine, Tom Felton, Helena Bonham Carter

After Yates' success with Order of the Phoenix, it was only natural he continue the trips to Hogwarts.

Harry and his friends return to Hogwarts. Who could have seen that one coming? But they do. And all is not well. The muggle world is being intruded upon by dark forces, Dumbledore hires back old staff and Harry is fancying his best friend's sister. Sometimes the claim that Potter is a soap drama does have weight.

Potter's sixth film isn't a firm adaptation. Fans can complain all they want, but the 'Slash and Burn' process has to come into effect. Here it's not as bad as the film acts as a bridge to the previous installment to the next. And for that has a lot of creative work along the way.

If I mean 'creative', I really mean 'dark'. With the last twenty minutes taking place in a cave and at night, there's maybe even a cheeky suggestion that most of the film looks like The Lord of the Rings. I suppose with the first installment of both franchises being released in the same year, the two are never really going to lose that stigma. But it's remarkable how many scenes in Half-Blood resemble Peter Jackson's special effects.

Tom Felton's Draco Malfoy gets more screen time. Alan Rickman allows his voice to be cherished more as he swoops in his black robes around the castle. We shouldn't forget new Hogwarts entry Jim Broadbent playing a rather slimy but fun Horace Slughorn.

Even Daniel Radcliffe's acting has come along. No longer are there any cringing moments where his screams and special effects overlap one another. Time on the stage has done him good.

With the recent Twilight, Half-Blood feels a lot more routed to entertain with teenage troubles than trying to give weight to them. Relationships and love are played out. It's pretty clear however that these type of things seem to happen only to the younger cast. This is put straight when Dumbledore says, 'Good to be young and feel love's keen sting.' It's almost as if being an aristocratic British actor isn't enough to get others in the mood for love.

A lot of the humour is driven from this. And that's good for what is actually Potter's darkest hour. Quite literally. At times it's impossible to see what's going on. One could put it down as Harry Potter for the recession. Where elements couldn't be purchased, so it had to be obscurred from view.

The time between Potter and Dumbledore is well put. This along with Nicholas Hooper's musical score assert that Potter's world is much older than what we believe. And where Yates was successful in bringing about a British air in Phoenix, he has now placed in a boarding school feel that was brought in at Goblet of Fire but not so securely set.

Again this isn't a strong adaptation. And with very little action the pace of the film may bog down younger viewers. In one sense this a triumph for the franchise. With the adult actors getting more screen time and a much more classic style, this could be 'period drama' of the series.

Potter's adventures may be ending, but for the meantime this installment stands strong as a way of spending time with the characters and knowing that with whatever is ahead, they're growing up well. And dare I say that Michael Gambon's Dumbledore could give Ian McKellen's Gandalf a run of fire?

4/5

If you like this you should try

The Lord of the Rings: The Two Towers (2002) 3/5

Twilight (2008) 3.5/5

The Guard (2011)

Directed by John Michael McDonagh

Starring Brendan Gleeson, Don Cheadle, Liam Cunningham, Mark Strong, Fionnula Flanagan

Anyone wanting a repeat of In Bruges may be disappointed. Already the fact that Gleeson is holding a dark comedy is enough to sway the audience to believe that.

But that shouldn't stop the audience from going to see it.

Gleeson, not a bad mark on his career, takes his time preparing himself for the laughs. Which aren't out loud. But they aren't absent either. The Guard is a general Irish humour film. Where naughty language and the imagination of outrageous goings on are rampant. One could even fall into old memories of Father Ted. His character, Sergeant Gerry Boyle, is an old fashioned, corrupt, yet heart of gold type.

Cheadle, the FBI agent one the trail of drug smugglers, finds himself in Gleeson's shadow, and doesn't do much to get out of it. Maybe he realises himself it's going to be a tough job. Oh, and I suppose catching criminals is a bit difficult as well. Especially when the Irish loud mouth Boyle finds himself more interested in his day off, which becomes a shock of someone prioritising holidays over work. We can't all be workaholics.

The Guard is probably, secretly, a buddy movie. But it holds on to its secret pretty well by not giving the two main leads enough screen time. I say this is good, because the whole thing could have been a dreadful Hollywood wannabe otherwise.

There's probably not enough blood or violence to warrant it as one of the meaner stories of Irish crime, but it's certainly got a mouth on it. And Gleeson has the film's heart on him.

4/5

If you like this you should try:

Divorcing Jack (1999) 4/5

Waking Ned (1999) 5/5

In Bruges (2008) 4/5

Harry Potter and the Order of the Phoenix (2007)

Directed by David Yates

Starring Daniel Radcliffe, Emma Watson, Rupert Grint, Imelda Staunton, Michael Gambon, Robbie Coltraine, Alan Rickman, Maggie Smith, Ralph Fiennes, Tom Felton, Jason Isaacs, Helena Bonham Carter

David Yates, a director of television dramas, gets the directing helm of Warner Bros. most profitable series. And the surprise is it works.

Maybe because he's British.

Harry and his friends are to return to Hogwarts under a dire disbelief that the old enemy, Voldemort, has returned. At the magic school Harry and all other students are to face Dolores Umbridge (Imelda Staunton), a fiercely right wing politician from the Ministry of Magic. Her goal is to see that all rumours of Voldemort are snubbed, before setting a harsh curriculum of no magical learning. So it's up to Harry to train other Hogwarts students, whilst fighting off strange dreams.

Order of the Phoenix is probably the finest of the Potter series so far. And there are notes that nod back to the previous installments. An overwhelming sense of British storytelling not seen since the first film and the darker elements that Alfonso Cuaron perfected, Pheonix manages to sway the longest J.K. Rowling book into a nicely paced Sunday afternoon type fantasy. Fans may find it disappointing and the action scenes are limited - especially after the previous film's mini adventure sequences. But these are the type of films I like. And with a new score from Nicholas Hooper, the texture of Harry's world has become a lot closer to what the book set out to do.

4/5

If you like this you should try:

Toy Soldiers (1991) 3/5

Harry Potter and the Philosopher's Stone (2001) 4/5

The Lord of the Rings: The Fellowship of the Ring (2001) 5/5